Chuck Barry's Longtime Pianist Discusses Meeting with Klansman, Risking His Life, and How He Convinced Hundreds To Leave Hatred Behind

May 27, 2026
00:00 01:23:46
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In this episode of Eyewitness History, I speak with Daryl Davis, an American R&B and blues musician, author, and race-relations activist whose life has uniquely bridged the worlds of music and social change.

Davis is widely known for an unconventional and controversial approach to combating racism: engaging directly with members of the Ku Klux Klan and other white supremacist groups through sustained personal dialogue. Over decades of outreach, he has persuaded dozens of Klansmen to renounce their affiliation, and he has documented these encounters in his book Klan-Destine Relationships: A Black Man’s Odyssey in the Ku Klux Klan as well as in the documentary Accidental Courtesy: Daryl Davis, Race & America (2016).

Before his activism gained national attention, Davis established himself as a respected professional musician. A gifted boogie-woogie and blues pianist and vocalist, he studied at Howard University and went on to perform with some of the most iconic figures in American music, including Chuck Berry, Jerry Lee Lewis, B.B. King, Muddy Waters, and Bo Diddley. His playing style reflects deep roots in traditional blues and early rock-and-roll piano, and he has been recognized within the Washington-area and national blues community for both his technical skill and stage presence.

His work is grounded in a belief in communication as a tool for dismantling prejudice, summed up in his view that dialogue, not avoidance, is the most effective response to ignorance and hate.

Here, Davis reflects on his unusual journey, the philosophy behind his outreach to the Klan, and the ways music, conversation, and personal encounter have shaped his understanding of human change.

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Meet Your Host
Josh Cohen is a journalist and commentator living out of the Midwest.

He has written for a number of reputable publications.

His fascination with history is in the story of our existence and how it is told. Keeping the tradition of storytelling alive in Eyewitness History is what drives him.
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